于我而言，文字和图案的基本构成没有区别，都是由点和线按照某种规律排列组合而成。其定义和规则因此可以互相交换，由此诞生的变化更是种类繁多。当我们看文字时，能解读出基本图案如：圆，长方形。反之，我们观察图形，也能解构出相似的文字形。很多时候我们都观察到了这样的现象，但却并未正面将其归纳为体系，我热爱把玩各种几何结构，利用最简单的图案反映分析复杂的场景以及人类世界的集体潜意识现象。
For me, there is no distinction between the basic composition of text and patterns; both are formed by points and lines arranged in accordance with certain rules. Their definitions and rules can therefore be interchanged, resulting in a wide variety of transformations. When we look at text, we can decipher basic patterns such as circles and rectangles. Conversely, when we observe shapes, we can also deconstruct similar textual forms. Many times, we have observed such phenomena without formally categorizing them into a system. I enjoy manipulating various geometric structures, using the simplest patterns to reflect and analyze complex scenarios, as well as the collective subconscious phenomena of the human world.
我在这个体系之中创造美、有趣的链接，想将这两者的距离拉近，促使他们交融，相辅相成。这个命题会一直进行，就像围绕星球运动的探测器，我将探索，发出疑问，凝视缺口，不断实践，完善这个艺术性质的理论。
Within this framework, I create beautiful and intriguing connections, aiming to bridge the gap between the two and encourage them to blend and complement each other. This proposition will continue indefinitely, much like a probe orbiting a planet, as I explore, question, gaze into the gaps, continually practice, and refine this artistic theory.
1
Ein zu 70% transparentes Kreise mit 3 Farben
在繁殖般的复制结合连接之后，文字的存在感逐渐被削弱，反而各种椭圆就像细胞在不断生长创造出各种奇妙的图案，又像是窗花，或者青苔藻类。不具备辨识度图案让我领会到了另一种感觉的美妙和和谐，再观察还能发现更多有趣的地方，这便是我想体会到的，一种全新的视觉体验，也是一次大胆的美学实验。
After the prolific proliferation of replicated connections, the presence of text is gradually diminished, while various ellipses grow like cells, creating a plethora of marvelous patterns, akin to stained glass or algae. The lack of identifiable patterns allows me to appreciate a different kind of beauty and harmony, and upon further observation, I discover even more intriguing aspects. This is what I seek to experience—a new visual encounter and a bold aesthetic experiment.
2
打碎的花瓶
从花瓶成为碎片，再成为文字，再成为图形，再成为完整的画面… 没有规则，但物质和源头却依然有迹可循。
From a vase to fragments, then to text, then to graphics, then to a complete image… No rules, yet the material and origin still traceable.
3
神奈川冲浪里
这是一次对美的范畴的探讨，只由圆与线条来阐述。把语言换做图形，在画面里引入思考的主题，”言传身教“，语言起到逻辑归纳的作用，图案扮演实践出真知的角色。对我而言是一种新颖的体验。
This is an exploration of the realm of beauty, articulated solely by circles and lines. Replacing language with graphics, introducing themes of contemplation into the image, teaching through example, language serving as a tool for logical deduction, patterns playing the role of practical knowledge. For me, it is a novel experience.
TTsworks 